KunstBildungVermitltung

OF Zettel

the cue sound:  cicada ^ cvrčak

the cue sound: breath

Imagine a Future Landscape as a Linguistic Landscape ...


What can you hear, see, smell. .. ?


Which languages,  words, signs, sounds, images, fragrances, ...  are appearing in your imaginative linguistic landscape?



Now imagine only one word , sign , sound,  image, fragrance,  ...

that appears as an alert before  speaking, 

before sending a message, commenting,  responding, claiming,  ...


Which word , image,  sign,  sound , fragrance,

would it be?


Now, see or imagine one  Orange Feather  on a coffie black silky backgeound in a such role,

brushing across your mind and neural network,

while experiencing a fury attempt

What happens?



Just for a mili second, you hold on

and prevent acting with fiury ...



dveling deeper

The image of the Orange Feather  invites us to imagine future linguistic landscapes



Hier, the Future Linguistic Landscape 

 is centered

on a single image,

combined with acoustic mood-creating tools:
an
Orange Feather  on a silky, coffee-black background, accompanied by a sound cue,

such as recorded breath, the chirping of cicadas, and the Croatian word cvrčak (cicada; pronounced: tsvr-chak) functioning in an estranged manner

to help re-imagine and act otherwise,

by a fury attempt


  

Inspired by deep learning techniques for Large language models (LLMs), the Orange Feather-led practices were designed to support preventing violence in communication proactively through self-regulation.

This is achieved by applying the principles of self-supervised learning to behavioral changes with simple exercises for enhancing emotional control, thus enable more comprehensive understanding of meaning and it´s symbolic forms of expression in interaction.


Since 2004 working wioth only one term in a multilingual setting: "rain".  Metaphoric experience in symbolic interaction enables endless forms for inquiry, reflection, metacognitive engagement and creative play with mind & memory, for understanding embodiment of emotional and cognitive patterns and fmore ...


A comprehensive approach to non-violent communication must navigate the intersection of individual autonomy and societal responsibility. This requires understanding freedom of expression not only as the absence of restrictions but as a dynamic interplay of rights and responsibilities.

 

 Situating backdrop


Globally, one in three women experience physical or sexual violence in their lifetime. Among young people, online spaces are increasingly dangerous: one in five youth has experienced cyberbullying, and girls and LGBTQ+ youth are disproportionate targets of hate speech and harassment.

Violation starts in communication,  and is mostly followed by physical violence.

 These statistics underscore an urgent need for safer, respectful communication.


How may we learn to practice more assertive, meek and empathic communication?


How might art practices help foster more assertive, empathetic, and mindful communication?


How can freedom of speech become more responsible?

Is it possible to train our minds, similar to how large

language models (LLMs) are trained, to develop competencies for practicing non-violent and harm-free communication?


The Orange Feather image represents the Orange Feather initiative, which is aligned with UN Women’s Orange the World campaign. The UN campaign “Orange the World” takes place annually between November 25th, the “International Day for the Elimination of Violence against Women”, and December 10th, “International Human Rights Day”. During these 16 action days against violence, buildings around the world will be lit orange to send a visible signal against violence against women.  These statistics underscore an urgent need for safer, respectful communication.

Violation mostly starts in communication and is mostly followed by physical violence.


Awarded the Austrian SDG Award 2021 in the “Youth & Media” category by the Economy Senate Austria, the Orange Feather initiative mobilizes diverse actors and collaborators. These include the prominent representatives who are engaged as Ambassadors of the Orange Feather Initiative, project partners and participants in art-based educational workshops, to shift narratives, foster empathy, and enhance communication literacy through engagement in art-based practices, such as embodied expression and narrative, thought experiments, language plays and similar activities in a multilingual setting, including screen reading tools and assistive technologies and presentational forms such as Focus group meetings, Conferences, Exhibitions and Performance Lectures.

 


p

parlare con piume 

 is a serious, playful  practice

by taking flight & flying with ...

Rome art fair by Liquid Group 6th-12th December 2024
Alma Mater Europea University: Applied AI platform 
^
art-based attempts to AI
pictograms of our time 
i-Proposition:  
meaning in use ^ embodied imagination
AI companion play
an aeronautical investigation and thought experiment 
re-imagined by the each new attempt
^
re-imagining to ´grasp words correctly ^îspeci pa reci
locating surroundings with somatechnics
^
Gedankenexperiment ^ thought experiment
(by a fury attempt) 
Allow yourself to fully feel the fury, the rush of frustration or anger that brought you here. 
Let it rise, but don’t let it lead you. Instead, take a step back and ask yourself:
What is the root of this fury?
Is it fear, a sense of injustice, or perhaps even something more personal? Name it, if you can. Allow yourself to understand its origins, not just the reaction it stirs.
Imagine consequences by acting "with fury"
What if the fury takes a lead of your action?
Picture what happens if you act on your fury immediately, without reflection. See the ripples spreading outwards. Who is affected? What unintended outcomes might arise?
close your eyes, re-imagine, imagine otherwise ...    
Take a deep breath in. Hold it for a few moments.
Now, imagine the Orange Feather, carried on this breath, down into the wings of your lungs, expanding through each of the 151 million alveoli.
Breathe out slowly through your mouth, and feel the fury soften, feel it float, as if on the feather itself, until it fades.
^
Now, imagine your fury-cause with ´One Orange Feather flying´
 explore shift in imagination, translate it into some another language, 
(not the word, but the object)
and the fury-cause
Does it have some other meaning and intensity?
 Does it feel different, lighter, or less urgent? Perhaps a new insight comes into focus.
Imagine describing the source of your fury using a word from another language, but don’t just translate it—reimagine the object or feeling itself, as if you could see or feel it through a different culture’s perception. Choose a language that is new to you.. Imagine how this culture might interpret the experience of fury.
Notice the Shift by a free view:
Does this new context change how you see your fury? Does the intensity lessen or deepen? Does the image transform?
This exercise can serve as a tool to foster inner resilience and empathy, creating a pause where reflection can replace reaction, 
enabling communication that clears, rather than harms.

Inspirational Thoughts:
“Don't get involved in partial problems, but always take flight to where there is a free view over the whole single great problem, even if this view is still not a clear one.”
 L.W. proposition 4.52: adapted from Diary, 23 Apr 1916. 

"I know the direction from which the sound comes; for instance, 
I look in that direction. It is the same with the idea that it must be some feature of our pain that advises us of the whereabouts of the pain in the body, and some feature of our memory image that tells us the time to which it belongs. 
(LW. PI, p. 185)


attempts, translations, assemblage, investigations  in process


multimedia artworks on interface with applied linguistics,  cognitive humanities and sociology

in response to  one of the currently most urgent societal challenges:

hate speech_ physical violence


an therapeutic, art-based approach to prevention of violence,

leaning on

Ludwig Wittgenstein's analyses about imagination

(Philosophische Untersuchungen ^Language Games,  Blue & Brown Notebooks, Zettel), Ludwig Wittgenstein - Lecture on Ethics

J. P. Lederach notions on Moral Imagination,

and the B. Brecht´s Radio theory, M. Foucault´s  parrhesia_body of practices

 embodiment and speech aligned with Hannah Arendt's idea of vita activa, where speech and action are evaluated in the context of their capacity to enrich the shared human world.as a moral practice of freedom,

dreaming and finding ´true words´ (I. Bachmann)


#stayinlove


How can conditions be re-imagined, and transformed,

 What if the moral imagination (Vorstellung) can serve as a mental (reason) and emotional (sensorial state,  in the practice of embodied play within a web of relations,? How to transcend violence starting from the capacity to generate, mobilise, and build a moral imagination?

(Lederach, 1995; 2005)



 Imagination fulfills also a methodical role, because we can visualise imaginary cases similar to Gedankenexperimente

(L.W. in PU, §312)


with


Orange Feather as a tertium comparationis:


"One knows the position of one's limbs and their movements... [with] no local sign about the sensation. (...) such attention to one's movements and feelings can hinder the smooth execution of willed action (L.W. Zettel, 483).: "self-observation makes my action, my movements uncertain" (L.W. Zettel, 592).


Investigations within diverse Playgrounds,

J^sword

corpus _callosum

crosSword

green shift

playing with diverse actors, technologies, senses, bricks and pillars


 Concept, artistic and theoretical basis: 

Tatjana Christelbauer MA

in collaboration with blind teachers and students at the Vienna Institute for Blind BBI and Prof. Alice Siu,  Deliberation. Platform Stanford University


inTalk on linguistic technologies with 
Prof. dr. Cvetana Krstev &

Prof. dr. Ranka Stankovic Head of the RO RGF Computer Center
University of Belgrade, Faculty of Mining and Geology

Orange Feather Flight performance

"If fear is frightful and if while it goes on I am conscious of my breathing and of a tension in my face, is that to say I feel these feelings frightful ?

Might they not even be a mitigation ?"

(L.W. Zettel, 484-499)



^The result of the  imaginative experiment will be so clear that there will be no need to conduct a physical experiment at all ^




associated pillars, helpers, builders, bricks, feathers and aspects

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