escaped^pleadings on two counts

acryl on paper 297 x 420 mm 

art4orangetheworld:

a story told by a mother of 3 children who suffered domestic violence and could escape the worst scenario in the very last moment 

^ reconstitution

acryl on paper 297 x 420 mm 

grounded in the story of a women who lost her partner in the war and was then confronted with questions on the sense of her life, surrounded with social harassment

#art4orange

Awarded with International Prise Caravaggio, Milano  2022

Orange Feder

education, initiative

Judith sWord

novel_fiction ^ language game

Tenebroso serie

#dramatic illuminations

Breath&Fire 

seeing in other aspects, re-imagining

art4orangetheworld

#breathingwiththeworld

^ Pilothea^feathership

re-leasing #embodiedknowledge ^dance mediations in a language play

attempts to planetarythinking practice

unfolding embodied, re-imagining situated knowledge and state of mind, creating novel  conditions  ...

arts in&4 Human Rights:

Featherführend ... embodied dignity

Feminist approach: transboundary, embodied planetary,a kind of planetary love

 by worlding diverse situated knowledges, re-imagining intersectionality of conditions, seeing in other aspects, breathing with, practicing feathership, conducting diverse standpoints, shifting weights

somatic guide to ethical imagination, respiratory planetary thinking in a variety of expressions within diverse socio-political contexts, practicing linguistic hospitality and the happiness of translation. (Ricoeur, Latour)

Understanding the term planetarity as an ongoing process of creating, articulating, and translating conditions for being and being with and within, which strives to transcend identity-based divisions and geopolitical boundaries in response to existing social relations.

Embodied planetary love (Spivak, Haraway, Irigaray)

s a mind-changing love: 

a love that embodies justice, speaks from a subject position which is mindful of the intersectionality of gender, race, class, ethnicity, … 

Planetarity invites us to address a more complex topology without limiting our imagination in the realm of geographical-legal border, local or global. 

State of the Arts

My first encounter with Feminist thought 1st wave was by meeting my dear friend French feminist and writer Ms. Benoite Groult.

Learning from Benoite about necessity to be aware of the position of women in history, to not take all opportunities, but also not all struggles, and challenges, for granted, viewing critically diverse conditions, "sweeting with salt"

learning from Postcolonial theorists, such as Luce Irigaray, Seyla Benhabib, Gayatri Chakravorty Spivak, Homi Bhabha, and artist who provided strong women voices and roles even before "official appearence" of the feminism in arts such as Isadora Duncan, Martha Graham, Georgia O’Keeffe,  exploring hybridity of cultures and identities, discovering the “third space” in art as a space of exile, re-contrstruction and de-construction of conditions, realities, and contexts,

speaking with Subaltern, shaping critical perception on the mainstream European epistemologies and the construction of “truth” by diverse and even controversial Feminist approaches,

I could situate my feminist identity while practicing  planetary love  with Luce Irigaray, and G. C. Spivak,  shifting weights among diverse standpoints deriving from diverse situated knowledges with Dona Haraway,  guided by imaginative attempts,  …, breathing with the world  (Irigaray)..

 with soma technics grounded in bodily movement, drawings, photography and imagery,  shifting weights among diverse standpoints deriving from diverse situated knowledges with Dona Haraway,  guided by planetary breathings with Luce Irigaray,  and spiral breathings, deep stretches, and falls shaped by Martha Graham, while releasing in translation by reading Jacques Derrida, Jumpa Lahiri,  Paul Ricoeur, Michel Foucault …, keeping on move among and with diverse actors and networks ...

´Staying with a trouble, but not in a struggle´

Art-based translation of complex cognitive advantages into simple sample (by creation of assemblages, collages, linguistic landscapes), transformation of challenging technical exercises into simple bodily movements, transcription of the highly tensed emotional state into assertive communication and narrative expression.

Dance arts, fine arts, sociology

Writings, installations, choreographic compositions on: Identity politics, mega-trends &lifestyles, rights and rules … by keeping gender glasses on, introducing simple daily rituals and movement for wellbeing, self-esteem, body-integrity, from kindergarten to academia, diplomatic conferences...

Spaceing: Formats and Places

Intalk Sessions, a series of conversations, #planetarytalks on ZOOM, Skype, 30 min.C&DofK (Cuppes and Drops of Knowledge) in-outdoor multilingual movement&talks in Galleries, Museums, Universities, Schools and also in Kindergartens, …

Art practice illuminates emotional and spiritual state, enables and stimulates cognitive process and re-generates knowledge by new findings, softens body and voice, by strengthening the spirit and mind.

Current/urgent: Orange Feather Commandment and Manifesto

About

Tatjana Christelbauer works on the interface of arts, sciences and international relations, in the global sustainable development process.

Experienced in intercultural education, art-based research and mediation as an employed pedagogue, consultant and lecturer by the Lower Austrian Government for 28 years, by art istitutions and civil society organisations.

MA degree in sociology (Gender Studies, Performance Studies, Identity Politics) with the thesis on narrative identity performance in the literary field and dance, at the Rosa Mayreder College Vienna in 2010.

Diploma in  Museum pedagogy (2018 KPH Krems) with a Thesis on Hundertwasser Art and ecological activism in the sustainability discourse.

2019 completed study in Public Relations and Media Management at the Vienna Academy of Economics (AMC), with thesis on Digital media use in education.

In 2020 completed Professional Diploma course on Corporate health with the thesis on Corporate health 2030 in kindergarten- mode and Academic certified courses in Training, Coaching, Fitness and Nutrition with training program “Dance ~ Well” and “KostbArt”- creations of healthy meals with blog series on sustainable food at the AMC Academy.

From 2009-2017 studied and worked at the Institute for Cultural Diplomacy Berlin ICD as a keynote speaker, lecturer, Young Leaders Forum Program director  and Conference Manager. Since 2019 organising workshops for the European Day of Languages and projects in collaboration with Austrian Cultural Forums and libraries abroad.

rtistic practice in dance arts is close to modern realism and her conceptual art_science projects are grounded in linguistics, identity politics and social ecology.

Completed Professional Intensive Programmes on Martha Graham Contemporary Dance School in NYC (2004-2012) and attended academic courses in fine arts, design, literary, linguistics at diverse universities in Vienna and NYC. 

art_science installations and performance lectures were held in a variety of venues, including the ETH University of Zürich (Art&Sci 2019 “Corpus Callosum2030), Venice art fair, BORDERS Festival (Fragmented identity, linguistic landscapes” 2020), Vienna Amerling Gallery (2002-2006 Coppélia´s book, Calmant 1&2, Moving letters …), Vienna Institute Francais (CALMANT. Rosa … 2008) a.o.

Dance movement-based art workshops and performance lectures are composed as a bound of acts on three stages as following: guided movement&speech meditation, Federführung^improvisation in flow and the L-assemblage, the final stage consisting of the variety of individual expressions and responses within one frame created for further individual and collective practices- knowledge to action, with an open-end perspective

The guided movement-speech sequences are grounded in modern dance (Graham-based) and Austrian Ausdruckstanz (Bodenwieser-school), with link to holistic practices such as yoga (pranayama), ritual dances (circle dances deriving from mythology). Theoretical insights are are embedded in the notion of the situated knowledges (D- Haraway), explored in a language plays and interpretations (L. Wittgenstein, H-G. Gadamer, F. Schiller, P. Ricoeur, C.S. Pierce, L. Irigaray, J. Derrida, M. Foucault, Nick Cave ), in a multilingual setting to elevate mental, spiritual and bodily awareness in order to release, re-communicate, re-fine and re-establish relations among humans and among humans and nature, to be intact, with-in. #Embodiment diversity, linguistic hospitality.

Broad education also includes years of studying Music, Neurolinguistics, applied physics (thermodynamics, aerodynamics), Theology (Christianity, Holy Women Scriptures), symbolical interactionism (art-based research, environmental impact on human relations,.

Advocacy, sensorial attachment

With a focus on peaceful relational cultures, Tatjana advocates for human rights,  through art practice and media in Austria, Europe and worldwide,

promoting the  art-based education for the development of the communicational skills to prevent all forms of violence.

Toward 2030

Tatjana initiated, organised and took part in conferences, public debates and academic courses on arts as a form of cultural diplomacy2030 (in particular SDG 4.7, SDG5, SDG8), the role of art for advocacy of gender-related issues, prevention of all forms of violence through art-based multilingual learning and life practice in international relations, at the Institute for Cultural Diplomacy Berlin, Vienna Diplomatic Academy, United Nations Vienna, a.o institutions, thematising the Cultural Diplomacy paradigm shift toward the UN Agenda2030 and global sustainable development on international conferences public debates and panels, lectures and workshops on the issues of gender&diversity, environmental and social policies.

Tatjana is a board member of several Austrian non-profit organizations and communities, such as IG Kultur, UN Women Austria.